![]() The Lesson steps then explain how to construct this triad chord using the 3rd and 5th note intervals, then finally how to construct the inverted chord variations. The things been said are good as a "technical" solutions, but the "feeling" of a Bb and a Gm piece is most of the times very clear to identificate. The Solution below shows the B-flat minor triad chord in root position, 1st inversion and 2nd inversion on the piano, treble clef and bass clef. like a painting named "Painting with Red", "Painting with Yellow", "Picture in dark colors".Įven with the existence of tons of pieces with that kind of title and many of those are good, very good, extremly good. ![]() ![]() In my very personal opinion, I don't like those titles like "Symphony in Eb" or "Prelude in Dm" even "Melody in F". Many songs have the chorus in Major and the verses in relative minor you may not change the key signature but change the tonality. If your sonata uses classcal harmony it won't be problems to determinate the key, post the score or a midi and we'll tell you. E-flat minor, A-flat minor, D-flat minor, G-flat minor, C-flat minor. I.e "Milky - Just The Way You Are" it's in Cm but is all Ab Bb G, Ab Bb G, ![]() There are pieces (mostly pop songs) that never pass through the tonic. The D major could be the best indicator in a common harmony sonata. ![]()
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